{"id":178,"date":"2020-03-04T02:40:04","date_gmt":"2020-03-04T02:40:04","guid":{"rendered":"https:\/\/www.r-t-w.com\/index.php\/about\/production-history\/"},"modified":"2023-06-14T19:18:27","modified_gmt":"2023-06-14T19:18:27","slug":"production-history","status":"publish","type":"page","link":"https:\/\/www.r-t-w.com\/about\/production-history\/","title":{"rendered":"Production History"},"content":{"rendered":"\n\n\t\t

\n\t\t\tPast Productions\n\t\t<\/h1>\n\t\t\t

Since 1993. Theater By Women For Everyone.\u00a0<\/h3>\t\t\n

\n\t\tPast Productions\n\t<\/h2>\n\t

2022-2023<\/strong><\/h3>\nThe How and the Why<\/a> <\/strong>| by Sarah Treem
\nThe Cost of Living<\/strong><\/a> | by Martyna Majok
\nTidy<\/strong><\/a> | by Kristin Idaszak\n

2021-2022<\/strong><\/h3>\nThe Cake<\/strong><\/a> | by Bekah Brunstetter
\nActually <\/strong><\/a>| by Anna Ziegler
\nRose: An Intimate Evening with Rose Fitzgerald Kennedy <\/strong><\/a>| by Laurence Leamer
\n\n

2020-2021<\/strong><\/h3>\nBest of Br!NK Br!efs <\/strong><\/a>(five short plays that premiered in past Br!NK Festivals<\/em>)
\n\u00a0 \u00a0Smart Girls <\/b>| <\/strong>by Amanda Schumacher
\n\u00a0 \u00a0Two Truths and a Lie<\/b> | <\/strong>by Emily Elliott
\n\u00a0 \u00a0Dog Heroes<\/b> | <\/strong>by Lillian Schley
\n\u00a0 \u00a0Bodies<\/b> |<\/strong> by Rachel Bykowski
\n\u00a0 \u00a0Juniper Flies<\/b> | <\/strong>by Maria Pretzl
\nNeat <\/a><\/strong>(A revival of our 2012 hit – presented virtually) <\/em>| by Charlayne Woodard
\nBelonging<\/b><\/a> (three short plays by playwrights of color presented virtually)
\n<\/em>\u00a0 \u00a0The Winged Man <\/b>| by Jos\u00e9 Rivera
\n\u00a0 \u00a0Poof!<\/b> | by Lynn Nottage
\n\u00a0 \u00a0All of the Everything<\/b> |
\nby Alayna Jacqueline\n

2019-2020<\/strong><\/h3>\nThe Roommate <\/strong><\/a>| by Jen Silverman
\nHappy Days <\/strong><\/a>| by Samuel Beckett
\nActually <\/strong><\/a>(Presented virtually) <\/em>| by Anna Ziegler (Virtually)\n

2018-2019<\/strong><\/h3>\nNative Gardens <\/strong><\/a>| by Karen Zacarias
\nPhotograph 51 <\/strong><\/a>| by Anna Ziegler
\nAnnie Jump and the Library of Heaven <\/strong><\/a>| by Reina Hardy\n

2017-2018<\/strong><\/h3>\nSex with Strangers<\/strong><\/a> | by Laura Eason
\nRussian Transport<\/strong><\/a> | by Erika Sheffer
\nTop Girls<\/strong><\/a> | by Caryl Churchill\n

2016-2017<\/strong><\/h3>\nThe Drowning Girls<\/strong><\/a> | by Beth Graham, Charlie Tomlinson, & Daniela Vlaskalic
\nLuna Gale<\/strong><\/a> | by Rebecca Gilman
\nThe Violet Hour<\/strong><\/a> | by Richard Greenberg\n

2015-2016<\/strong><\/h3>\nThe Ballad of Emmett Till<\/strong> <\/a>| by Ifa Bayeza
\nAgnes of God<\/strong><\/a> | by John Pielmeier
\nCensored on Final Approach<\/strong><\/a> | by Phylis Ravel\n\n\t

2014-2015<\/strong><\/h3>\nAmelia<\/strong><\/a> | by Alex Webb
\nThe Kreutzer Sonata<\/strong><\/a> | by Nancy Harris
\nLettice & Lovage<\/strong><\/a> | by Peter Shaffer\n

2013-2014<\/strong><\/h3>\nThe Belle of Amherst<\/strong> | by William Luce
\nThe Understudy<\/strong> | by Theresa Rebeck
\nSkin Tight<\/strong> | by Gary Henderson\n

2012-2013<\/strong><\/h3>\nLa Enfrascada<\/strong> | by Tanya Saracho
\nEducating Rita<\/strong> | by Willy Russell
\nThe Road to Mecca<\/strong> | by Athol Fugard\n

2011-2012<\/strong><\/h3>\nGorgons<\/strong> | by Don Nigro
\nNeat<\/strong> | by Charlayne Woodard
\nHonour<\/strong> | by Joanna Murray Smith\n

2010-2011<\/strong><\/h3>\nReasons to Be Pretty<\/strong> | by Neil LaBute
\nCrumbs from the Table of Joy<\/strong> | by Lynn Nottage
\nIn Acting Shakespeare<\/strong> | by James DeVita\n

2009-2010<\/strong><\/h3>\nThe Smell of the Kill<\/strong> | by Michele Lowe
\nBlackbird<\/strong> | by David Harrower
\nAmerican Fiesta<\/strong> | by Steven Tomlinson\n

2008-2009<\/strong><\/h3>\nThe Persians<\/strong> | by Aeschylus
\nThe Dig<\/strong> | by Marie Kohler
\nBarney & Bee<\/strong> | by Michael Frayn\n

2007-2008<\/strong><\/h3>\nThe Woman in Black<\/strong> | by Stephen Mallatratt
\nRed Pepper Jelly 3<\/strong> | by Ericka Kreutz, Raeleen McMillion, Jennifer Rupp, John & Susan Nicholson
\nFat Pig<\/strong> | by Neil LaBute\n

2006-2007<\/strong><\/h3>\nString of Pearls<\/strong> | by Michele Lowe
\nTopdog\/Underdog<\/strong> | by Suzan-Lori Parks
\nMemory House<\/strong> | by Kathleen Tolan\n

2005-2006<\/strong><\/h3>\nSyncopation<\/strong> | by Allan Knee
\nFull Gallop<\/strong> | by Mary Louise Wilson and Mark Hampton
\nBurn This<\/strong> | by Lanford Wilson\n

2004-2005<\/strong><\/h3>\nSkin Tight<\/strong> | by Gary Henderson
\nThe Syringa Tree<\/strong> | by Pamela Gien
\nBoswell’s Dreams<\/strong> | by Marie Kohler\n\t

2003-2004<\/strong><\/h3>\nMemoir<\/strong> | by John Murrell
\nRed Pepper Jelly II<\/strong> | by Jennifer Rupp, Raeleen McMillion, Erica Kruetz, John Nicholson and Susan Jeske-Dermody
\nThe Shape of Things<\/strong> | by Neil LaBute\n

2002-2003<\/strong><\/h3>\nAnton in Show Business<\/strong> | by Jane Martin
\nA Phoenix Too Frequent<\/strong> | by Chrisopher Fry
\nSpinning Into Butter<\/strong> | by Rebecca Gilman\n

2001-2002<\/strong><\/h3>\nChesapeake<\/strong> | by Lee Blessing
\nRed Pepper Jelly<\/strong> | by Jennifer Rupp, Raeleen McMillion, Erica Kruetz, John Nicholson and Susan Jeske-Dermody
\nTrojan Women<\/strong> | by Euripides\n

2000-2001<\/strong><\/h3>\nThe Blue Room<\/strong> | by David Hare
\nThe Captain’s Tiger<\/strong> | by Athol Fugard
\nStop Kiss<\/strong> | by Diana Son\n

1999-2000<\/strong><\/h3>\nFull Gallop<\/strong> | by Mary Louise Wilson and Mark Hampton
\nMidnight and Moll Flanders<\/strong> | by Marie Kohler
\nEleemosynary<\/strong> | by Lee Blessing\n

1998-1999<\/strong><\/h3>\nCriminal Hearts<\/strong> | by Jane Martin
\nJack & Jill<\/strong> | by Jane Martin\n

1997-1998<\/strong><\/h3>\nZara Spook and Other Lures<\/strong> | by Joan Ackerman
\nDaytrips<\/strong> | by Jo Carson\n

1996-1997<\/strong><\/h3>\nKindertransport<\/strong> | by Diane Samuels
\nTalking With…<\/strong> | by Jane Martin\n

1995-1996<\/strong><\/h3>\nImagining Brad<\/strong> | by Peter Hedges
\nOld Times<\/strong> | by Harold Pinter\n

1994-1995<\/strong><\/h3>\nCounting Days<\/strong> | by Marie Kohler
\nImagining Brad<\/strong> | by Peter Hedges\n

1993-1994<\/strong><\/h3>\n

A Different Moon <\/strong>| by Ara Watson<\/p>\n\n","protected":false},"excerpt":{"rendered":"

Past Productions Since 1993. Theater By Women For Everyone.\u00a0 Past Productions 2022-2023 The How and the Why | by Sarah Treem The Cost of Living | by Martyna Majok Tidy | by Kristin Idaszak 2021-2022 The Cake | by Bekah Brunstetter Actually | by Anna Ziegler Rose: An Intimate Evening with Rose Fitzgerald Kennedy |…<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":173,"menu_order":41,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.r-t-w.com\/wp-json\/wp\/v2\/pages\/178"}],"collection":[{"href":"https:\/\/www.r-t-w.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.r-t-w.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.r-t-w.com\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.r-t-w.com\/wp-json\/wp\/v2\/comments?post=178"}],"version-history":[{"count":0,"href":"https:\/\/www.r-t-w.com\/wp-json\/wp\/v2\/pages\/178\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.r-t-w.com\/wp-json\/wp\/v2\/pages\/173"}],"wp:attachment":[{"href":"https:\/\/www.r-t-w.com\/wp-json\/wp\/v2\/media?parent=178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}